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Author Title [ Year(Asc)]
2021
1Kiktenko V. JIANG ZEMIN’S THREE REPRESENTS: INCORPORATING NEO-CONSERVATISM INTO MARXISM-LENINISM. 2021 ;(1):56-67.
Berezinska O. KOINE AS A MIXED DIALECT OF CHINA. 2021 ;(1):184-193.
Rakhno K. MAGICAL PROTECTION OF A DWELLING IN CHINESE TRADITIONAL CULTURE. 2021 ;(1):27-37.
Smolnytska O. MANDALA IN THE ART WORKS OF YAROSLAVA SHEKERA: SYNTHESIS OF ARCHETYPES. 2021 ;(1):242-260.
Tsiupiak I. MYTHOLOGICAL PRINCIPLES OF THE BOZZI GENRE IN THE YUAN MEY COLLECTION “NEW [RECORDS] QI SE (XIN QI SE), OR WHAT CONFUCIUS DID NOT SAY ABOUT (JI BU YUI)”. 2021 ;(2):148-161.
Kobzey N. “NOTES OF A MADMAN” LU XUN AS A REALISTIC REFLECTION OF THE CULTURAL AND SPIRITUAL CRISIS OF CHINA IN THE EARLY TWENTIETH CENTURY. 2021 ;(1):213-220.
Zapotichna R, Murshudli F. AN OVERVIEW OF RECENT TRENDS IN CHINESE BANKS’ OVERSEAS ACTIVITIES. 2021 ;(2):41-51.
Kharchenko L. THE PHENOMENON OF MAN IN THE PHILOSOPHICAL DISCOURSE OF ANCIENT CHINA. 2021 ;(1):38-46.
Kovpik S. POETICS PECULIARITIES OF THE CLASSICAL CHINESE DRAMA. 2021 ;(1):221-228.
Kretov P, Kretova O. POST-NEO-CONFUCIANISM AND GLOBALISM: THE CORRELATION OF PHILOSOPHY AND IDEOLOGY IN MODERN CHINA. 2021 ;(2):7-18.

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