СТАН СУЧАСНОЇ ХУДОЖНЬОЇ ПРОЗИ ТИБЕТЦІВ: АВТОР, МОВА, АДРЕСАТ

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  О. Д. Огнєва

Анотація

Сучасна тибетська, точніше, новітня тибетська література (тиб. bod-kyi rtsomrig gsar rtsom) входить до світової літератури з 80-х рр. XX ст. (по завершенні Культурної революції). Внаслідок політичних подій 50-х рр. XX ст. сталося так, що письменники нової хвилі почали писати свої твори кількома мовами. Стаття присвячена літературним творам тибетських авторів, які писали тибетською, англійською, китайською мовами як у КНР (TAР, Aмдо і Кхамі в Цінхаї, Ганьсу, Сичуані та Юннані), так і за кордоном, у тибетській діаспорі: Накцанг Нуло і тибетомовний твір “Радощі і прикрощі малого на ім’я Накцанг”, Джам’янг Норбу і його англомовна “Мандала Шерлока Холмса: пригоди великого детектива в Індії та Тибеті” та Алай і китаємовний роман “Коли курява спаде”. Всі автори адресували свої твори не тільки тибетцям, які живуть у сучасній КНР та в екзилі – від Південної Азії до Північної Америки, – а й китайським та англомовним читачам також. Стаття, що спирається на біографії цих авторів і їхні твори, є спробою з’ясувати, що саме дозволяє визначити письменників та їхні твори як частину тибетської літературної традиції.

Як цитувати

Огнєва, О. Д. (2021). СТАН СУЧАСНОЇ ХУДОЖНЬОЇ ПРОЗИ ТИБЕТЦІВ: АВТОР, МОВА, АДРЕСАТ. Китаєзнавчі дослідження, (1-2), 97-109. вилучено із https://chinese-studies.com.ua/index.php/journal/article/view/153
Переглядів статті: 67 | Завантажень PDF: 54

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Ключові слова

Алай, діаспора, жанр, КНР, мова, новітня тибетська література, ТАР, Шерлок Холмс

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