ЯВИЩЕ ПАРЦЕЛЯЦІЇ В КИТАЙСЬКІЙ МОВІ (НА МАТЕРІАЛІ КИТАЙСЬКОЇ РОЗМОВНОЇ ДРАМИ)

Abstract

The article is devoted to the study of the phenomenon of parcellation in Chinese spoken drama. The need to deepen the linguistic theory of structural and stylistic features of parceled structures due to their widespread use in works of the Huajiu genre, as well as the possible lack of works on this topic determine the relevance of the subject. The aim of the work is to determine the typical structural and stylistic features of parcellation in Chinese drama of the beginning of the twentieth century. The main tasks are to develop the complex typology for the classification of parceled structures and to highlight the typical features of syntax and style of parcellation in Chinese spoken drama. A number of special linguistic methods of the research allowed the authors to confirm the hypothesis about the existence of parcellation in the Huajiu genre as a characteristic and functionally important feature of the syntax of the latter, which is consistently substantiated in the article. Theoretical bases of research of parcellation as the element of expressive syntax are outlined: borders of the investigated concept, its signs, functions, bases for direct use in speech of heroes of dramatic works, etc. are defined. Based on an analysis of specific examples of the use of parceling in five works of the Huajiu genre, it was found that punctuation and intonation division into syntagms are most often motivated by the desire to express a statement, exert a pragmatic influence on his recipient or increase his emotional load. This is especially true for composite sentences with any type of connection. The authors see a promising direction of further work in improving the presented complex typology, analysis of more works of different styles and genres to form a more objective vision of the identified structural and stylistic features of parceled structures.